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Campo DC | Valor | Lengua/Idioma |
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dc.contributor.author | Ramoneda, Pedro | - |
dc.contributor.author | Rocamora, Martín | - |
dc.contributor.author | Akama, Taketo | - |
dc.date.accessioned | 2024-12-02T17:28:20Z | - |
dc.date.available | 2024-12-02T17:28:20Z | - |
dc.date.issued | 2024 | - |
dc.identifier.citation | Ramoneda, P., Rocamora, M. y Akama, T. Music proofreading with RefinPaint : Where and how to modify compositions given context [en línea]. EN: 25th International Society for Music Information Retrieval (ISMIR), San Francisco, California, United States, 10-14 nov 2024, pp 1-8. | es |
dc.identifier.uri | https://ismir2024.ismir.net/ | - |
dc.identifier.uri | https://hdl.handle.net/20.500.12008/47318 | - |
dc.description.abstract | Autoregressive generative transformers are key in music generation, producing coherent compositions but facing challenges in human-machine collaboration. We propose RefinPaint, an iterative technique that improves the sampling process. It does this by identifying the weaker music elements using a feedback model, which then informs the choices for resampling by an inpainting model. This dual-focus methodology not only facilitates the machine's ability to improve its automatic inpainting generation through repeated cycles but also offers a valuable tool for humans seeking to refine their compositions with automatic proofreading. Experimental results suggest RefinPaint's effectiveness in inpainting and proofreading tasks, demonstrating its value for refining music created by both machines and humans. This approach not only facilitates creativity but also aids amateur composers in improving their work. | es |
dc.format.extent | 8 p. | es |
dc.format.mimetype | application/pdf | es |
dc.language.iso | en | es |
dc.publisher | ISMIR | es |
dc.relation.ispartof | 25th International Society for Music Information Retrieval (ISMIR), San Francisco, California, United States, 10-14 nov 2024, pp. 1-8. | es |
dc.rights | Las obras depositadas en el Repositorio se rigen por la Ordenanza de los Derechos de la Propiedad Intelectual de la Universidad de la República.(Res. Nº 91 de C.D.C. de 8/III/1994 – D.O. 7/IV/1994) y por la Ordenanza del Repositorio Abierto de la Universidad de la República (Res. Nº 16 de C.D.C. de 07/10/2014) | es |
dc.subject | Creativity | es |
dc.subject | Creativity and learning | es |
dc.subject | Generative tasks | es |
dc.subject | Interactions | es |
dc.subject | MIR tasks | es |
dc.subject | Music generation | es |
dc.subject | Human-ai co-creativity | es |
dc.title | Music proofreading with RefinPaint : Where and how to modify compositions given context. | es |
dc.type | Ponencia | es |
dc.contributor.filiacion | Ramoneda Pedro, Universitat Pompeu Fabra | - |
dc.contributor.filiacion | Rocamora Martín, Universidad de la República (Uruguay). Facultad de Ingeniería. | - |
dc.contributor.filiacion | Akama Taketo, Sony CSL | - |
dc.rights.licence | Licencia Creative Commons Atribución (CC - By 4.0) | es |
udelar.academic.department | Procesamiento de Señales | es |
udelar.investigation.group | Procesamiento de Audio (GPA) | es |
Aparece en las colecciones: | Publicaciones académicas y científicas - Instituto de Ingeniería Eléctrica |
Ficheros en este ítem:
Fichero | Descripción | Tamaño | Formato | ||
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RRA24.pdf | Versión publicada | 768,97 kB | Adobe PDF | Visualizar/Abrir |
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