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dc.contributor.authorBertalmío, Marceloes
dc.contributor.authorSapiro, Guillermoes
dc.contributor.authorCaselles, Vicentes
dc.contributor.authorBallester, Ces
dc.date.accessioned2019-05-29T15:28:21Z-
dc.date.available2019-05-29T15:28:21Z-
dc.date.issued2000es
dc.date.submitted20190528es
dc.identifier.citationBertalmío, Marcelo, Sapiro, Guillermo, Caselles, Vicent, Ballester, C. Image inpainting [en línea] Montevideo : UR. FING, 2000.es
dc.identifier.urihttps://hdl.handle.net/20.500.12008/20806-
dc.descriptionTrabajo presentado en la 27th Annual Conference on Computer Graphics and Interactive Techniqueses
dc.description.abstractInpainting, the technique of modifying an image in an undetectable form, is as ancient as art itself. The goals and applications of inpainting are numerous, from the restoration of damaged paintings and photographs to the removal/replacement of selected objects. In this paper, we introduce a novel algorithm for digital inpainting of still images that attempts to replicate the basic techniques used by professional restorators. After the user selects the regions to be restored, the algorithm automatically fills-in these regions with information surrounding them. The fill-in is done in such a way that isophote lines arriving at the regions’ boundaries are completed inside. In contrast with previous approaches, the technique here introduced does not require the user to specify where the novel information comes from. This is automatically done (and in a fast way), thereby allowing to simultaneously fill-in numerous regions containing completely different structures and surrounding backgrounds. In addition, no limitations are imposed on the topology of the region to be inpainted. Applications of this technique include the restoration of old photographs and damaged film; removal of superimposed text like dates, subtitles, or publicity; and the removal of entire objects from the image like microphones or wires in special effects.es
dc.languageenes
dc.publisherUR. FINGes
dc.rightsLas obras depositadas en el Repositorio se rigen por la Ordenanza de los Derechos de la Propiedad Intelectual de la Universidad De La República. (Res. Nº 91 de C.D.C. de 8/III/1994 – D.O. 7/IV/1994) y por la Ordenanza del Repositorio Abierto de la Universidad de la República (Res. Nº 16 de C.D.C. de 07/10/2014)es
dc.subjectImage restorationes
dc.subjectInpaintinges
dc.subjectIsophoteses
dc.subjectAnisotropic diffusiones
dc.titleImage inpaintinges
dc.typeArtículoes
dc.rights.licenceLicencia Creative Commons Atribución – No Comercial – Sin Derivadas (CC - By-NC-ND)es
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